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Soft Cell's Creative Genius Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) formed Soft Cell with Marc Almond at Leeds in 1977

Dave Ball, one half of the groundbreaking 1980s electronic music duo Soft Cell, has died at the age of 66.

Alongside vocalist Marc Almond, the duo scored a global success with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their first record their initial full-length release is regarded as a seminal work of synth-pop.

He later formed the innovative electronic act The Grid, who secured chart success with 1994's Swamp Thing.

Ball died calmly in his sleep at his home in London on Wednesday 22 October, just weeks after playing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Health Struggles

At that performance, Ball performed in a mobility chair, as he had for the last two years, after a spate of health issues.

"I ended up injure myself significantly," he stated in a recent interview. "I broke lower vertebrae in my back and cracked about multiple ribs and broke my wrist."

Following contracting a lung infection and suffering from blood poisoning, he was put in an medically-induced sleep and remained in the hospital for half a year.

Nevertheless, he had been in "high spirits emotionally" during the warmer months, as he worked on a new album with Almond, titled Danceteria, which is scheduled for release in the coming year.

"He was focused and very pleased with the latest project that we literally finished only a few days ago," stated the vocalist in a heartfelt message.
"It's so sad as 2026 was all set to be such an positive year for him, and I take some solace from the knowledge that he heard the finished record and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the forefront of the synth-pop movement in the early 1980s

Tributes

Almond described his collaborator as "an exceptionally talented creative mastermind", adding: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Many thanks Dave for being an immense part of my existence and for the music you gave me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, remembering Ball's "endless laughter" and "unwavering friendship".

"Forming a partnership with someone is distinct from joining a group, the connection is very tight," he continued.
"That was the case with us. We experienced so many extraordinary, extraordinary, life-affirming moments as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in recent years

Early Life

Born into a single-parent household in the city of Chester in 1959, Ball was given up for adoption when he was a year and a half old.

He was raised in Blackpool with adoptive parents his caregivers, who changed his first name from his birth name to his adopted name, together with his younger sister Susan, who was similarly welcomed.

He met Almond at Leeds Polytechnic in 1977, where they were both studying art. Inspired by a mutual passion of a music genre, they established Soft Cell the very year, and quickly recorded an EP.

Musical Partnership

The duo were an unusual combination: Ball was the reserved technician, bent over his synthesizer, while Almond was a flamboyant performer, all glitter and eye-liner; but they achieved a rare musical alchemy.

Ball had developed a fascination with electronic instruments after watching the band Kraftwerk perform on BBC science show Tomorrow's World, and started to combine moody electronic sounds to the catchy tunes Almond was composing.

Their signature song became the United Kingdom's second most popular song of 1981, shifting millions of units worldwide. Alongside hits by Gary Numan, contemporary bands and electronic acts, it contributed to paved the path for the electronic music style of the 80s.

The track was also featured on their full-length debut, their initial LP, which spawned two additional top five hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the separate release, Torch, which peaked at the second position in 1982.

Soft Cell in the studio
The duo were developing new material right up until Ball's passing

Career Highlights

Fame had its upsides. "I loved being able to afford my first home, having financial security and exploring, which might seem like a beauty queen," Ball recently told with a publication.

But it also caused problems. "Sudden riches meant we could afford substances to alleviate the boredom" of media interviews and TV performances, Ball explained.

"I know that's a cliché, but it's a cliché for a good reason, because it works for so many bands."

During the party-filled existence, the pair were also drifting apart, but they succeeded to create a second memorable record - the wayward, tense and aptly-titled The Art Of Falling Apart.

They released one more album, 1984's This Last Night In Sodom, before ending the band to focus on individual endeavors.

Almond went on to have a successful individual path, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with melodic sounds over a long-lasting collaboration.

Later Work and Comebacks

Soft Cell came back together in 2001, releasing the charting album Cruelty Without Beauty.

After a further break, they returned in recent years, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a farewell show at the O2 Arena on 30 September, 2018.

Yet, they stayed together, creating their fifth album, Happiness Not Included, during the pandemic Covid lockdown.

Ball lately described the duo's new album as a tribute to the New York club scene they visited while making their first two albums.

He noted that his time in hospital had shaped the group's music.

"I had strange recollections when I was coming and going of the hospital because I was on morphine," he explained to a music magazine.
"The new songs are a digital reflection of the sounds in my head from those days.
"Simultaneously, it's about the experiences we had in the 80s."

The final mixes were finished only days before Ball died. It is due for launch in the spring of 2026.

Written by

Daniel Allen

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